Ozzy Osbourne - "Mama, I'm Coming Home"

Ozzy Osbourne died last month, less than three weeks after his farewell concert in Birmingham.  Watching the performance on July 5, it seemed likely that this really was his last performance: although he sounded great, he performed seated and he was similarly always seated in the backstage scenes. 

It is nearly impossible to overstate the importance of Ozzy in the metal community in my HS years. Randy Roads had only been dead about a year (1982), and the Black Sabbath cannon and the first two Ozzy solo LPs were in high rotation on everyone's personal playlist. Even as the metal community divided over glam/hair metal vs. thrash/black metal, everyone loved Ozzy. 

Last month, as I listened to Ozzy do four songs from "Blizzard of Ozz", I was surprised at the wave of nostalgia I felt listening to "I Don't Know", "Mr. Crowley". and "Suicide Solution".  You still hear "Crazy Train" on the radio regularly, and I've continued to listen to Black Sabbath to this day, but it's been maybe 30-40 years since I've heard the others? Why don't I listen to these LPs more often?

To mark Ozzy's passing, I thought about reviewing either "Blizzard of Ozz" (better singles?) or "Diary of a Madman" (start-to-finish, a more solid LP?), but I'm not quite ready to revisit them. Instead, I'm going to highlight the fifth song last month's solo set, 1991's "Mama, I'm Coming Home".  To be honest, it's not even a favorite song of mine.  Ozzy arguably invented the metal ballad genre with 1972's "Changes", but I just never cared for this this one compared to, say, "Goodbye to Romance" or "So Tired".  But thematically, it's an obvious choice in retrospect, in part because Ozzy was clearly emotionally moved while singing it last month.  

It's safe to say, there will never be another Ozzy. 

"Mama, I'm Coming Home" -- studio, live (Back to the Beginning, July 2025; watch this version instead)

Bonus link: Drew made me aware of this great roots/Americana cover by Larkin Poe, from their 2020 LP "Kindred Spirits".  This version made me think that what I really don't like about Ozzy's version is the modish over-the-top production. 

Bonus fact: This is one of a handful of songs that Ozzy co-wrote with Lemmy. 

Hawkwind - "Silver Machine" (forgotten song)

Ian "Lemmy" Kilmister died this week at the age of 70.  If you don't know what Lemmy means to metal, or just rock in general, then I'm not going to be able to explain it to you.  Exhibit A: NPR did a story about his passing.  NPR.  Think about that.  Words like "icon", "legend",  and "pioneer" are often casually tossed around, but in this case they're appropriate.  Quoting from a Guardian story from this summer:

Lemmy is as much a collection of myths and legends as a man. In the popular imagination, he’s made up of equal parts Jack Daniel’s, amphetamine sulphate, Nazi memorabilia and extreme-velocity noise. The myths and legends cloak him as surely as the black shirt, the black jeans, the custom-made boots, the cowboy hat with its “Death or Glory” insignia and the Iron Cross around his neck.

Of course, Lemmy is best known as the vocalist & bassist -- and only permanent member -- for Motorhead.  Motorhead, of course, is the seminal band that first combined outlaw biker imagery with a punk style / ethos & metal heaviness, although Lemmy always insisted they were simply a "rock-n-roll band".  Furthermore, he was innovative in that he played bass like it was a lead instrument and not rhythm.  But before there was Motorhead, there was Hawkwind -- the seminal space rock group, featuring fluid membership, Michael Moorcock inspired imagery & lyrics, and nearly limitless Spinal Tap-esque cliches (including one of the first appearances of the heavy metal umlaut). 

I could memorialize Lemmy with any of numerous excellent Motorhead songs, but instead I'll choose Hawkwind's 1972 single, "Silver Machine", which he didn't even write but I believe was the first song on which he sang lead (he was not the primary vocalist for Hawkwind), and turned out to be Hawkwind's only "hit" song.  Although Lemmy would not be fired from Hawkwind for another three years, this is probably the song that set him on the path from "band member" to "band leader". 

I believe this video is the one shown on BBC's Top of the Pops in 1972 (instead of having the band in the studio lip syncing).  It features Lemmy in his pre-Motorhead, all black garb.  The sound is early-70s groovy, the studio version is badly synced with the concert footage, which features bubbles, a flautist (!) and, of course, a dancer.  You can't make this stuff up.  Despite (because of?) all that, the song rawks and I love it.  Danette hates it, for all of the same reasons listed above, though she does like Motorhead in general.

A month ago, The Atlantic had an article featuring Lemmy and entitled "Twilight of the Headbangers: How long can the legends of heavy metal keep on rocking?".  Not long enough, though I think we have to count ourselves lucky that he made it to 70.

Hawkwind - "Silver Machine"

"Born to Lose, Lived to Win"