Mission of Burma - "Signals, Calls, and Marches" (LP Review)

For my 200th post on F-Measure, I'm covering something simultaneously new, old, and timeless.  One of the pleasant finds from my recent reading of "Our Band Could Be Your Life" was Boston's Mission of Burma.  I have a vague memory of Terry talking about them while we were in college, and I knew a band by that name existed, but I don't remember actually listening to them at the time.  Part of the problem is they essentially broke up in 1983 after two landmark releases, a result of guitarist Roger Miller's tinnitus.  They reformed in 2002, but had largely missed out on the scene they so heavily influenced.  In doing so, they nicely illustrate the difference between "popular" and "influential".  Example: Pearl Jam's 1993's LP "Vs." is named in honor to Mission of Burma's 1982 LP "Vs.". 

As influential as "Vs." was, my personal favorite is their 1981 debut EP "Signals, Calls, and Marches".  Keep in mind that I discovered it some 30 years after its debut, but it still sounds fresh and relevant today.  It occupies the transitional space between early 80s "punk" and "college alternative" in a way that contemporaries like Sonic Youth, Dead Kennedys, Minor Threat, Black Flag, and other candidates simply don't.  Part of it is their strong song writing (with hooks!), without compromising their heaviness and anger, and intelligent lyrics.  Another dimension is member Martin Swope, credited as "tape manipulator/sound engineer", who used techniques you'd associate more with early 70s Pink Floyd to add a rich but subtle extra dimension to an otherwise sparse, angular punk sound.

So while this is over 30 years old, I just "discovered" it within the last year.   Give it a listen: it will sound both new and familiar.

Standout songs: "That's When I Reach For My Revolver", "Fame and Fortune", "This Is Not a Photograph", "All World Cowboy Romance", "Academy Fight Song"

Skip 'em songs: none.

Final Score: 9/10 

Bonus link: the entire, original six song EP

Bonus links to covers: Moby - "That's When I Reach For My Revolver", R.E.M. - "Academy Fight Song".  While: 1) I have much respect for both Moby and R.E.M., and 2) I love covers... -- let's just say these versions underscore how good the originals are.

Note: my copy of the CD is the 1997 Ryko re-release which adds their 1980 7" single "Academy Fight Song" to the end of the original EP, so that's what I review here. 

Johnny Cash - "God's Gonna Cut You Down" (the song remains the same)

Both Johnny Cash and Rick Rubin had Hall of Fame careers even if they had never hooked up for Cash's American Recordings series. But they did, and the result was nothing short of amazing...

On the surface, Cash & Rubin would seem to be an unlikely pairing: Cash is a born-again Christian from Arkansas and Tennessee who is best known for singing gospel, folk and country; and Rubin is a Jew from Long Island who is best known for producing hip hop and metal bands and founding the seminal record label Def Jam Recordings (with Russell Simmons in 1984).

On further inspection, it is a perfect match: Sun Records was the Def Jam / Def American of its time and Cash certainly lived (invented?) the rock and roll lifestyle. Furthermore, Rubin is renowned for his powerful, stripped-down, spare production style that gets the most out of the artist; and Cash's career had been foundering, in part because the major labels were overproducing his records and trying to make him into something he was not. Cash and Rubin released their first record in 1994, American Recordings, and that was the beginning of a critically and commercially successful string of LPs each of which consisted of originals, re-recording of Cash's early songs, covers and standards.

Released as a single from 2006's posthumously released "American V: A Hundred Highways", "God's Gonna Cut You Down" is Cash's version of the traditional song generally credited as "Run On". The song has been recorded by many different artists and although it is a homily about abandoning sinful ways, it is generally presented as an up-tempo and joyful song -- a New Testament reading, if you will.

Not so with Cash and Rubin -- you could say they give an Old Testament presentation: dark, booming and vengeful. Changing the title from "Run On" captures the shift of emphasis -- "God's Gonna Cut You Down" was always in the lyrics, but it never seemed to be the main point of the song. Now it is, and the song sounds like the wrath of God.

You might (barely) recognize the song from Moby's 1999 LP "Play", where it was titled "Run On" and sampled a 1947 recording by Bill Landford & The Landfordaires (then titled "Run On for a Long Time"). I must have heard this song dozens of times before I even realized they were singing the lyrics "God will cut you down". This song is a typical example of Moby's gift for recontextualizing early recordings (folk, blues, etc.) in an electronica format.

Another notable version is from the Blind Boys of Alabama, from their 2001 LP "Spirit of the Century". This is a more conventional gospel arrangement, probably closer to Moby's source recording from Landford.

There are countless other recordings of this song but this should give a good sampling of the various versions. And as good as these other versions are, Cash and Rubin have pretty much closed the book on this song -- no one else is going to come close.

Johnny Cash: "God's Gonna Cut You Down"

Moby: "Run On", "Run On" (live acoustic version)

Bill Landford & The Landfordaires: "Run On for a Long Time"

Blind Boys of Alabama: "Run On"