Joan Jett - "Crimson and Clover" (the song remains the same)

In honor of Pride Month, I'm featuring Joan Jett's 1981 cover of "Crimson and Clover" (from her second LP).  Joan hasn't actually come out, but she's an LGBTQ icon regardless.  Even though I didn't know about that in 1981 (who did?), I remember liking this song immediately.  I'm pretty sure I heard her version before the original, 1968 version from Tommy James and Shondells but I'm not certain.  And, sure I like the "underwater" / psychedelic original too, but Joan's version rawks, with those delicious power chords.

Why this song for Pride Month instead of others from her?  First, unlike in her cover of "I Love Rock and Roll"*, she does not change the gender of the love interest ("Ah, now I don't hardly know her / But I think I can love her).  Why did she keep the gender in one cover song but not the other? In retrospect, perhaps this was a clue.

Second, it's not like she was a purist; she did change the lyrics in C&C, and in the process made it 100X better.  Tommy James and The Shondells:

Yeah, my mind's such a sweet thing
I wanna do everything

What a beautiful feeling
Crimson and clover, over and over

Joan Jett and The Blackhearts:

Yeah, I'm not such a sweet thing
I wanna do everything
What a beautiful feeling
Crimson and clover, over and over

Perhaps TJ&TS couldn't get away with that line in 1968, but can we all agree that Joan's change of that one improves the rest of the stanza?

Tommy James and The Shondells - studio LP version, studio single version, live 1995,

Joan Jett and The Blackhearts - studio version, 1983 (live?, probably lip-synched), 2007(?) live version




* As per my previous post, "I Love Rock & Roll" is still a stupid song that even Joan can't redeem.


Bonus images: quick, name a rock artist other than Joan Jett who looks better, and not just by a little bit, some 25+ years after they first made it big.  Swapping the big hair for a buzz cut and ditching the one-piece coverall is a big part of it, but still...

Joan ca. 1983, as New York Dolls refugee:

Joan ca. 2007, as punk matriarch:

Any questions?

The Comet is Coming - Live 2019-03-18

This entry is courtesy of Mat Kelly, who sent me a link to the London-based trio The Comet is Coming.  I had not heard of them before, but I really liked what I was able to hear via YouTube clips.  This is a live, in-studio recording presumably captured before their NYC show later that day.  This clip features songs from their (then upcoming) 2019 LP "Trust in the Lifeforce of the Deep Mystery":

1. "Blood of the Past"
2. "Birth of Creation" 
3. "Summon the Fire" (official video for the studio version)

The sound is engaging and evokes the sci-fi, space-jazz sound of artists like Sun Ra, as well as the irreverence of bands like Art of Noise.   It also reminds me, in aesthetic if not exactly sound, of the the band Algiers that Herbert recently turned me onto. I'll cover Algiers later, but in the mean time I wanted to draw your attention to this tip from Mat. 

Judas Priest - Old Grey Whistle Test 1975-04-25

Drew, Terry, and I went to see Judas Priest in Washington DC a few weeks ago, and they did not disappoint.  It's almost two years since Drew shared his renewed Judas Priest appreciation with me, and he set up the trip to DC so we could reenact our own version of "Heavy Metal Parking Lot", some 33 (!) years later.  At this point only bassist Ian Hill and more importantly singer Rob Halford remain from the classic lineup (guitarist Glenn Tipton remains a member of the band but has retired from touring due to Parkinson's).  But as long as Halford's there, it's still Judas Priest and they still rawk.

They had a good set list that featured most of their "hits" and none of their stupid songs, so I was pretty happy.  Furthermore, they dug deep in their catalog to come up with early, less well-known tracks "Killing Machine", "Starbreaker", and "Victim of Changes".  This inspired me to share what is probably their earliest TV performance, from the BBC's "Old Grey Whistle Test" in 1975, which is in between their forgettable debut LP "Rocka Rolla" and right before their tremendous sophomore LP "Sad Wings of Destiny".  For this performance they played the title track "Rocka Rolla", which will give you an idea of why they no longer play songs from that LP, and "Dreamer Deceiver / Deceiver", which is a good representative track from "Sad Wings of Destiny" as well as revealing their musical debt to Black Sabbath.  It also shows their hippie fashion debt to Black Sabbath, since this is before they adopted their renowned biker / punk / leather look ca. 1978.






While they may have aged since then, it's a good thing we haven't.  Here we are looking like teenagers...

 Heavy Metal Parking Deck!

  Heavy metal pre-concert tacos! (Dave joined us for dinner but not the concert)

Very metal game faces.

One of many wardrobe changes for Rob Halford.

The concert isn't over until the Harley comes out.

Slowdive - Live in London, UK 2017-03-29

Even though I've only mentioned them here a few times so far, I'm a big Slowdive fan and I was ecstatic when they reformed in 2014 and then released an excellent new LP in 2017.  Until I make the time to review their 2017 LP, I offer this 2017 concert featuring three songs from their then forthcoming LP.  There are several good Slowdive concert videos on the web, but this 90 minute set is one of the best that I've found.  The only thing that would have made it better is in they included "Shine".

Julee Cruise - "Industrial Symphony No. 1" (concert)

Continuing for Women's History Month, we return to Julee Cruise, one of my college-era favorites.  I already reviewed "Floating Into the Night" many years ago and while I should eventually cover her other LPs, I wanted to revisit her first LP by highlighting an even rarer entry in her catalog.  "Industrial Symphony No. 1" is concert/play and a continuation of David Lynch's work with Angelo Badalamenti and Julee Cruise.  It begins with Nicolas Cage and Laura Dern effectively reprising their roles from Wild at Heart, and then enters a dream sequence featuring songs and characters from Twin Peaks where Cruise lip syncs to studio versions of her songs.  The opening song, "Up in Flames", would be released on her 1993 LP "The Voice of Love", but otherwise "I Float Alone", "Into the Night", "Rockin' Back Inside My Heart", and "The World Spins" all appear on her 1989 debut "Floating Into the Night".  There are additional interstitial instrumental tracks that as far as I know only appear here.

I love Julee Cruise, and her work with Badalamenti and Lynch is amazing, but unfortunately their collective output is pretty limited.  So if you're a fan, you'll want to watch this video.  If you're not a fan, I'm not sure it will make you a fan.  For me, "Industrial Symphony No. 1" is simultaneously engaging and indistinguishable from a parody of an art film: smoke, strobe lights, a half-naked woman furtively scurrying about the stage, Cruise singing from the trunk of a car, Michael J. Anderson sawing on a log and then doing spoken word, a person on stilts, and for most of the time at least one cast member in the air.

I don't actually have a copy of "Industrial Symphony No. 1", but Terry had a VHS copy (2020-10-18 edit: turns out I have a copy).  Since I'm a completist I'll eventually get a copy and probably pay too much, but Julee Cruise is a treasure and we should celebrate her entire canon.

Tammy Wynette - "Stand By Your Man" (the song remains the same)

A special topical Women's History Month installment: Kellyanne Conway standing by her man.  Perhaps more accurately, standing by her other man.

"Stand by your man" is the single (released in 1968) from Tammy Wynette's 1969 LP of the same name.  What can I say about this universally recognized song that hasn't already been said?  I'll just point out that in 2010 the Library of Congress selected it for preservation because it is "culturally, historically, or aesthetically significant".  Obviously, that's the highest honor I can think of...

There are more covers of this song than I could possibly address, so I'll choose just one: the 1982 duet by Lemmy and Wendy O. Williams. 

Tammy Wynette - "Stand by your man"
Plasmatics & Motorhead - "Stand by your man"

Sometimes it's hard to be a woman
giving all your love to just one man.
You'll have bad times
And he'll have good times,
Doin' things that you don't understand.

 Right, Kellyanne?

Waxahatchee - Live in Berlin 2015-03-22 (concert)

Continuing with Women's History Month, I'd like to feature this nice four song set from Waxahatchee.  Why?  1) Katie Crutchfield is awesome, and 2) this takes place in the Ramones Museum in Berlin -- who knew there was a Ramones Museum in Berlin?!

I need to get around to reviewing "Ivy Tripp" and "Out in the Storm", but in the mean time this set features "Grass Stain" and "Swan Dive", which are easily in my top 10 favorite songs of hers.