Richmond-based Robbin Thompson died last week. Never heard of him? Don't worry, most people haven't, despite his being involved with early Bruce Springsteen related bands. His songs were popular on local radio in the early 80s, but he never really got a national break, despite minor hits from his 1980 LP "Two B's Please", like "Brite Eyes" and "Sweet Virginia Breeze" (which is one of the two replacement songs for Virginia's unfortunate former state song).
My favorite from the time was "Candy Apple Red", a nostalgic song borrowing from both Beach Music and The Beach Boys. It wasn't a single from the LP, but I recall hearing it on the radio at the time. And while the theme is hardly unique, I can't help but think it presaged "Glory Days", which Bruce would record a few years later.
The Robbin Thompson Band - "Candy Apple Red"
Monday, October 12, 2015
Sunday, September 27, 2015
Avett Brothers - "Kick Drum Heart" (spotlight)
Happy birthday Danette! Continuing the long tradition of birthday mix tape songs, this year's entry is The Avett Brothers "Kick Drum Heart", from their 2009 major label debut "I and Love and You".
It's a fun song and a fan favorite at concerts, but it makes the
Danette birthday list for two reasons. First, it poetically captures of
the ecstatic moments of breathless young love:
"Kick Drum Heart" -- a sweet fan video, an animated fan video, live version 2014-12-31 (from the NYE concert we attended in Raleigh, from which the image above was taken), live version 2015-01-03 (Austin City Limits), live version 2010-11-11 (sans drums!)
Previous birthday songs:
2014: Ani DiFranco - "32 Flavors"
2013: The Green Pajamas - "Kim the Waitress"
2012: The Cure - "High"
2011: Blink 182 - "Josie"
2010: Dead Milkmen - "Punk Rock Girl"
Mother Mary heard us approaching her doorand second, it fast forwards and nicely describes the small wonders of everyday love:
Though we didn't make a sound
There's nothing like finding goldWith Danette I'm lucky enough to continually & simultaneously experience both aspects.
Within the rocks hard and cold
I'm so surprised to find more
Always surprised to find more
I won't look back anymore
I left the people that do
It's not the chase that I love
It's me following you
"Kick Drum Heart" -- a sweet fan video, an animated fan video, live version 2014-12-31 (from the NYE concert we attended in Raleigh, from which the image above was taken), live version 2015-01-03 (Austin City Limits), live version 2010-11-11 (sans drums!)
Previous birthday songs:
2014: Ani DiFranco - "32 Flavors"
2013: The Green Pajamas - "Kim the Waitress"
2012: The Cure - "High"
2011: Blink 182 - "Josie"
2010: Dead Milkmen - "Punk Rock Girl"
Labels:
2009,
Avett Brothers,
Kick Drum Heart,
spotlight
Monday, September 14, 2015
Waxahatchee - Live KEXP 2015-05-03 (concert)
This is really just a stopgap post; I really should take the time to review Waxahatchee's 2013 LP "Cerulean Salt" (it's great) or the recently released "Ivy Tripp" (it's good). Both are a departure from 2012's excellent "American Weekend" which was basically a solo Katie Crutchfield LP, with the last two as proper "band" LPs although the band members are largely shared with sister Allison Crutchfield's band, Swearin'.
While waiting for those reviews, you get this four song (all from "Ivy Tripp"), live-in-the-studio promo from KEXP. Aside from being a great performance, this performance features Allison on guitar & keyboards. Of course, this begs the question "did P.S. Eliot actually break up?"
And once again, you should check out KEXP's awesome YouTube Channel.
While waiting for those reviews, you get this four song (all from "Ivy Tripp"), live-in-the-studio promo from KEXP. Aside from being a great performance, this performance features Allison on guitar & keyboards. Of course, this begs the question "did P.S. Eliot actually break up?"
And once again, you should check out KEXP's awesome YouTube Channel.
Labels:
2015,
concert,
KEXP,
Waxahatchee
Monday, August 31, 2015
Galaxie 500 - "Rain" (the song remains the same)
The last release from Galaxie 500 before they broke up was the single "Rain", recorded live in 1989 at NYC's iconic CBGB and then released in 1990. Galaxie 500's choice of covers were always impeccable (see my review of their "Peel Sessions" LP), and their version of "Rain" is no different. "Rain" is probably the most famous B-side (the A-side was "Paperback Writer") from The Beatles canon, and was recorded during the "Revolver" sessions (the non-LP single came out a few months before "Revolver" was released). With backwards vocals at the end of the track, "Rain" nicely captures the band in transition from their earlier jangle pop to their later psychedelic sound. They also recorded three different "promotional films" for this song (what we now call "music videos") -- quite an investment for a B-side.
Galaxie 500 successfully captures the essence of the original, albeit with a heavier sound courtesy of the live recording. Their original 7" single was limited to 500 copies and featured "Rain" as the A-side and the B-side featured a live version of "Don't Let Our Youth Go To Waste", the Jonathan Richmond/Modern Lovers cover from their first LP. Given the rarity of this single, you're more likely to have heard the concatenated version from the posthumously released LP "Uncollected". Unfortunately, I'm not aware of a studio recording of "Rain" by Galaxie 500.
Galaxie 500: "Rain / Don't Let Our Youth Go To Waste"(mp3)
The Beatles: "Rain" -- video 1, video 2, video 3 (link suggestions welcome)
N.B. I've been meaning to feature this song for a while, but the rainy start to our time at Ocean Isle Beach, NC has made this especially appropriate. A rainy day at the beach still beats a sunny day at work...
Galaxie 500 successfully captures the essence of the original, albeit with a heavier sound courtesy of the live recording. Their original 7" single was limited to 500 copies and featured "Rain" as the A-side and the B-side featured a live version of "Don't Let Our Youth Go To Waste", the Jonathan Richmond/Modern Lovers cover from their first LP. Given the rarity of this single, you're more likely to have heard the concatenated version from the posthumously released LP "Uncollected". Unfortunately, I'm not aware of a studio recording of "Rain" by Galaxie 500.
Galaxie 500: "Rain / Don't Let Our Youth Go To Waste"(mp3)
The Beatles: "Rain" -- video 1, video 2, video 3 (link suggestions welcome)
N.B. I've been meaning to feature this song for a while, but the rainy start to our time at Ocean Isle Beach, NC has made this especially appropriate. A rainy day at the beach still beats a sunny day at work...
I can show you
That when it starts to rain
Everything's the same
I can show you
I can show you
Rain, I don't mind
Shine, the weather's fine
Labels:
1989,
1990,
Galaxie 500,
Rain,
The Beatles,
the song remains the same
Saturday, August 15, 2015
LCD Soundsystem - "All My Friends" (the song remains the same)
I've been meaning to write about LCD Soundsystem's "All My Friends" (from their 2007 LP "Sound of Silver") for a couple of years now, but this week's unexpected passing of long-time friend Fred Moore has finally moved me to write about this song.
I was late in discovering LCD Soundsystem, only finding out about them from the Colbert Report in 2011, right before James Murphy ended the band. I got several of their LPs shortly after that, and immediately fell in love with them. James Murphy is about my age and his aesthetics and influences deeply resonate with mine. But it wasn't until I was listening to their LPs at the beach a couple years later before the impact and meaning of "All My Friends" really hit me. A quick google searched proved that I was not alone in my assessment, with the first page containing articles such as "The Melancholy Greatness of `All My Friends'" and "Deconstructing: LCD Soundsystem’s 'All My Friends' And Trying To Define The Best Song Of The Millennium". Both articles are eloquent perspectives which I won't try to expand on, but only to say that you would be hard pressed to come up with a better soundtrack for a bunch middle-age guys getting together for the weekend ("All My Rowdy Friends (Have Settled Down)" is a less nuanced and more literal 2nd place entry).
My friend Drew got married in the summer of 2012, and most of the high-school & college friends had dispersed up and down the east coast. Richmond VA was central for most of the people, so we gathered there for an impromptu bachelor party for him. We had such a good time that we decided to make it an annual occurrence, with our fourth event occurring last July. For one weekend a year we could run around the city, pretend we're still 22, and try to stay out until last call at 2am (not everyone made it). I had stayed close with both Drew and Terry, but the wedding and then these annual events was a good way to reconnect with other friends that I had mostly lost contact with.
Any story about high-school & college mischief would inevitably feature Fred Moore as a central figure. I won't even try to recount the numerous stories, other than to say no one was surprised when Fred was the first member of Tone Deaf (the high-school band for which he was lead vocals) to spend the night in jail (IIRC, drunk in public while he was at Va Tech). Either despite or because of his wild years, Fred eventually became a well-respected and much-loved Major in the Virginia National Guard, husband, and father of two. He did tours in Korea, Iraq, and Afghanistan. His passing was a shock to all, but I'm glad I was able to hang out with him again over the last four years.
Back to the song: it is amazing enough by itself, but I have much respect for LCD Soundsystem releasing two versions of the single: one featuring a cover of the song by John Cale and the other featuring a cover of the song by Franz Ferdinand, each one competing with each other and the original as to who can incorporate the most Ian Curtis / Joy Division influences. I don't often reproduce all the lyrics for a song, but in this case it is necessary (the Pink Floyd reference is perfect):
LCD Soundsystem: "All My Friends", London Sessions, 2011 MSG live version
John Cale: "All My Friends"
Franz Ferdinand: "All My Friends"
I trust we will get together in 2016, but we'll need a Busch beer set out for our missing man.
I was late in discovering LCD Soundsystem, only finding out about them from the Colbert Report in 2011, right before James Murphy ended the band. I got several of their LPs shortly after that, and immediately fell in love with them. James Murphy is about my age and his aesthetics and influences deeply resonate with mine. But it wasn't until I was listening to their LPs at the beach a couple years later before the impact and meaning of "All My Friends" really hit me. A quick google searched proved that I was not alone in my assessment, with the first page containing articles such as "The Melancholy Greatness of `All My Friends'" and "Deconstructing: LCD Soundsystem’s 'All My Friends' And Trying To Define The Best Song Of The Millennium". Both articles are eloquent perspectives which I won't try to expand on, but only to say that you would be hard pressed to come up with a better soundtrack for a bunch middle-age guys getting together for the weekend ("All My Rowdy Friends (Have Settled Down)" is a less nuanced and more literal 2nd place entry).
My friend Drew got married in the summer of 2012, and most of the high-school & college friends had dispersed up and down the east coast. Richmond VA was central for most of the people, so we gathered there for an impromptu bachelor party for him. We had such a good time that we decided to make it an annual occurrence, with our fourth event occurring last July. For one weekend a year we could run around the city, pretend we're still 22, and try to stay out until last call at 2am (not everyone made it). I had stayed close with both Drew and Terry, but the wedding and then these annual events was a good way to reconnect with other friends that I had mostly lost contact with.
Any story about high-school & college mischief would inevitably feature Fred Moore as a central figure. I won't even try to recount the numerous stories, other than to say no one was surprised when Fred was the first member of Tone Deaf (the high-school band for which he was lead vocals) to spend the night in jail (IIRC, drunk in public while he was at Va Tech). Either despite or because of his wild years, Fred eventually became a well-respected and much-loved Major in the Virginia National Guard, husband, and father of two. He did tours in Korea, Iraq, and Afghanistan. His passing was a shock to all, but I'm glad I was able to hang out with him again over the last four years.
Back to the song: it is amazing enough by itself, but I have much respect for LCD Soundsystem releasing two versions of the single: one featuring a cover of the song by John Cale and the other featuring a cover of the song by Franz Ferdinand, each one competing with each other and the original as to who can incorporate the most Ian Curtis / Joy Division influences. I don't often reproduce all the lyrics for a song, but in this case it is necessary (the Pink Floyd reference is perfect):
That's how it starts
We go back to your house
You check the charts
And start to figure it out
And if it's crowded, all the better
Because we know we're gonna be up late
But if you're worried about the weather
Then you picked the wrong place to stay
That's how it starts
And so it starts
You switch the engine on
We set controls for the heart of the sun
One of the ways that we show our age
And if the sun comes up, if the sun comes up, if the sun comes up
And I still don't wanna stagger home
Then it's the memory of our betters
That are keeping us on our feet
You spent the first five years trying to get with the plan
And the next five years trying to be with your friends again
Oh, you're talking 45 turns just as fast as you can
Yeah, I know it gets tired, but it's better when we pretend
It comes apart
The way it does in bad films
Except the part
Where the moral kicks in
And when we're running out of the drugs
And the conversation's grinding away
I wouldn't trade one stupid decision
For another five years of life
Oh, you drop the first ten years just as fast as you can
And the next ten people who are trying to be polite
When you're blowing 85 days in the middle of France
Yeah, I know it gets tired, only where are your friends tonight?
And to tell the truth
Oh, this could be the last time
So here we go
Like a sales force into the night
And if I made a fool, if I made a fool, if I made a fool
On the road, there's always this
And if I'm sued into submission
I can still come home to this
And with a face like a dad and a laughable stand
You can sleep on the plane or review what you said
When you're drunk and the kids look impossibly tanned
You think over and over "Hey, I'm finally dead."
Oh, if the trip and the plan come apart in your hand
You can turn it on yourself you ridiculous clown
You forgot what you meant when you read what you said
And you knew you were tired
But then where are your friends tonight?
Where are your friends tonight?
Where are your friends tonight?
If I could see all my friends tonight
If I could see all my friends tonight
If I could see all my friends tonight
If I could see all my friends tonight
LCD Soundsystem: "All My Friends", London Sessions, 2011 MSG live version
John Cale: "All My Friends"
Franz Ferdinand: "All My Friends"
I trust we will get together in 2016, but we'll need a Busch beer set out for our missing man.
![]() | ||
2012 Bachelor Party |
![]() |
Tone Deaf Reunites for "Louie Louie" at Drew's Wedding |
![]() |
Tone Deaf. Or at least 4/5 of Tone Deaf, Mk. III |
![]() |
2013 |
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2014 |
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2015 -- Yes, this really happened. |
![]() |
2015 |
Thursday, July 30, 2015
Translator - "Everywhere That I'm Not" (forgotten song)
Another day of driving with Danette in a rental car with satellite radio (see previous posts on Split Enz and Ultravox), and another forgotten song on the 1st wave station. This time it's San Francisco's Translator, with "Everywhere That I'm Not" off their 1982 debut LP "Heartbeats and Triggers".
I did not recognize this song at first, but it was only about half way through that I recognized the song from the chorus. I assume I'm familiar with it from the early days of MTV, but the video wasn't really familiar. Did this get airplay on local radio stations? I'm certain I've heard this song before (it's actually pretty good, in an early 80s way) but I can't quite place it. I wish I could tell you more about the song, the band, or anything but the primary point is: 1) I remember the song, and 2) but only just barely.
Translator: "Everywhere That I'm Not"
I did not recognize this song at first, but it was only about half way through that I recognized the song from the chorus. I assume I'm familiar with it from the early days of MTV, but the video wasn't really familiar. Did this get airplay on local radio stations? I'm certain I've heard this song before (it's actually pretty good, in an early 80s way) but I can't quite place it. I wish I could tell you more about the song, the band, or anything but the primary point is: 1) I remember the song, and 2) but only just barely.
Translator: "Everywhere That I'm Not"
Labels:
1982,
Everywhere That I'm Not,
forgotten song,
Translator
Saturday, July 25, 2015
Andy Stott - "Luxury Problems" (LP Review)
For a while I've been searching for the words to describe Andy Stott's 2012 release "Luxury Problems". His two 2011 EPs, "Passed Me By" and "We Stay Together", are darkly mesmerizing but "Luxury Problems" represents a significant step forward. There's still the vast, rich, looming soundscapes that Stott paints that only occasionally veer into the realm of conventional song structures (the title track being perhaps being the closest thing to a "song"), but the thing that really sets this LP apart is the expert sampling of Alison Skidmore's vocals that give this LP a Julee Cruise / Elizabeth Fraser aesthetic while at the same time crafting a unique sound. The result is an angelic touch to an otherwise menacing, bleak movie soundtrack where Skynet is the hero instead of the villain.
The professional reviews are more eloquent (Pitchfork, Allmusic, Tiny Mix Tapes), but words are ultimately insufficient.
Standout songs: all of them.
Skip 'em songs: none.
Final Score: 10/10, including the rare "beyond music" label.
The professional reviews are more eloquent (Pitchfork, Allmusic, Tiny Mix Tapes), but words are ultimately insufficient.
Standout songs: all of them.
Skip 'em songs: none.
Final Score: 10/10, including the rare "beyond music" label.
Labels:
10/10,
2012,
Andy Stott,
beyond music,
LP review,
Luxury Problems
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