Sunday, February 25, 2018

Allan Holdsworth - "Metal Fatigue" (LP Review)

Although it was nearly a year ago, I only just recently learned that Allan Holdsworth died.  You probably haven't heard of him, but he was a guitar players' guitar player, venerated by  Eddie Van Halen, Joe Satriani, Yngwie Malmsteen, et al.

The only reason I know of him was because his LP "Metal Fatigue" was reviewed in metal fanzine Kick*Ass Monthly* shortly after it came out in 1985.  I recall Bob Muldowney saying in his review something to the effect of "I don't really understand this LP or why I was asked to review it."  For whatever reason, Holdsworth had switched to Enigma Records, which primarily had metal bands, and this LP was sent for review to KAM.  I was in search of the next "Rising Force", so despite the cautionary review I ordered this LP from Slipped Disc.  For the first 25 seconds I thought I had found the next "Rising Force", but then at 0:26 it became clear that this was jazz fusion, or perhaps what fusionists think a metal LP should sound like. 

But I didn't dislike it, and it stayed in low rotation; it even grew on me enough that in college (I think?) I picked up his 1982 LP "I.O.U.".  Then I got his 1986 LP "Atavachron", where he fully embraced the "SynthAxe", and my revulsion was so strong that my Holdsworth period was mostly done (think Eddie Van Halen switching to keyboards on "1984", but much, much worse). 

My musical horizons were expanding by the time I hit college and I became more knowledgeable and appreciative of jazz.  But this LP still occupies a weird place in between metal and jazz.  I won't go so far as to say it's a necessary LP, but it's certainly a good LP that nicely showcases Allan's challenging style, even if it sounds like it was written for fellow guitarists instead of regular listeners.  I should revisit his extensive discography and forgive him for his SynthAxe dalliance. 

Standout songs: "Metal Fatigue", "Home"  (full LP)
Skip 'em songs: "In the Mystery"
Final score: 6/10


* See my "Haunting The Chapel" review for a note about Bob Muldowney and Kick*Ass Monthly.  

Thursday, February 15, 2018

Prince - "I Would Die 4 U" (spotlight)

Super Bowl LII has come and gone and it was quite a good game, especially since I did not care who won.  Justin Timberlake was the halftime show, and reviews appeared to be mixed (e.g., "This is how Justin Timberlake lost the Super Bowl" vs. "Halftime Review: Justin Timberlake Emerges Fumble-Free After Bad Pre-Game PR").  I'm ambivalent about Justin Timberlake: he's funny on SNL, and he brought sexy back and for that I'm grateful, but otherwise I don't care that much; his performance seemed fine to me but I had set the bar pretty low.

For me, the truly interesting part of the halftime show was JT's tribute to Prince (presumably because the Super Bowl was in Minneapolis?) and the controversy leading up to the event.  Apparently the plan was to "recreate" Prince via a hologram (similar to that used for Maria Callas and Roy Orbison), a technique that Prince had previously called "demonic".  The hologram idea was eventually scrapped courtesy of Sheila E.'s advice, and instead we were treated to Prince singing ""I Would Die 4 U" via old Purple Rain* footage projected on what looked like a giant bed sheet.  Apparently that still upset some Prince fans; I can only assume they destroyed their DVDs (VHSes?) of "Purple Rain" on April 21, 2016.

Prince - "I Would Die 4 U




* Ok, technically it was footage from both "Purple Rain" and "Prince and the Revolution Live!", but while you've likely seen "Purple Rain" a dozen or more times, have you actually seen the latter concert film?