Showing posts with label African-American History Month. Show all posts
Showing posts with label African-American History Month. Show all posts

Sunday, February 28, 2021

The Supremes - "You Keep Me Hangin' On" (In Memoriam)

Mary Wilson, co-founder and only continuous member of The Supremes from 1959-1977, died earlier this month.  Though I write about it infrequently here, I'm a big fan of Motown (who isn't, really?), and The Supremes were one of the core elements of the Motown sound (honorable mention to session musicians extraordinaire, The Funk Brothers, as well as the incomparable songwriting team of Holland-Dozier-Holland). 

I was going to mark Wilson's passing with my favorite track from The Supremes, "Someday We'll Be Together", but I was surprised to learn that Mary Wilson does not appear on the studio recording.  Instead, I'll choose the defiant "You Keep Me Hangin' On", which checks all the boxes: Mary Wilson (and co-founder Florence Ballard) appear, as do The Funk Brothers, and it's written by Holland-Dozier-Holland. 


Of course, this song has been covered more times than I can count, but any child of the 80s will immediately recall Kim Wilde's version.  I'm also sneaking this in on the last day of Black History Month.


The Supremes - "You Keep Me Hangin' On

Kim Wilde - "You Keep Me Hangin' On"

Thursday, February 27, 2020

Gil Scott-Heron - "I'm New Here"

It's near the end of African-American History month (AKA Black History Month), and I've realized that I haven't posted anything acknowledging it.  I decided Gil Scott-Heron's 2010 LP "I'm New Here", his final LP before his death in 2011, was a good candidate.  I reviewed his cover of "Me and the Devil Blues" in 2011 and said I'd review the LP "later", so I guess it's time to get around to it.

As I stated in 2011, prior to this LP I didn't know that much about GSH other than his "hits" ("The Revolution Will Not Be Televised" & "Whitey On The Moon").  "I'm New Here" was his first LP since 1994 ("Spirits"), and his prior LP to that was 1982 ("Moving Target").  This means that while he was dormant, a lot happened in music, and his 1970s experimental jazz sound would have sounded dated in 2010.  Instead, his LP was produced by Richard Russell (of XL Recordings), who gave him a menacing and minimalist electronic soundtrack, arguably a "Witch house" sound (though that label is often disputed).  The shrill saxophones have been replaced with thin, dark drone, which to my ears is a perfect complement to GSH's weathered and weary voice.  On songs like "Me and the Devil", the combination is simply amazing.

How you feel about this LP will largely depend on how you feel about "songs" that are mostly spoken word with limited actual singing.  On the other hand, if you like Lou Reed and songs like "Dirty Boulevard", well... you should revisit Gil Scott-Heron.

Standout songs: "Me and the Devil", "On Coming from a Broken Home" (Parts 1 and 2), "I'm New Here", "Your Soul and Mine", "New York Is Killing Me", "Where Did the Night Go"

Skip 'em songs: none

Final score: 9/10