Showing posts with label 1970. Show all posts
Showing posts with label 1970. Show all posts

Thursday, October 15, 2020

Van Morrison - "And It Stoned Me" (forgotten song)

Can we separate the art from the artist?  Sometimes?  Maybe?  Or perhaps just focus on the earlier part of their canon?  

Almost a month ago I saw that Van Morrison, who is nearly universally revered, had released three songs protesting the UK's Covid lock down.  Apparently they feature charming lyrics like scientists are "making up crooked facts" and "No more lockdown / No more government overreach". 

Why am I so disappointed to learn this?  Well, in addition to taking a dangerous and selfish position regarding his inability to tour, the lyrics seem a little too on the nose and not up to his standards.  I appreciate Van Morrison for his stories of fantasy, mysticism, spirituality, and nostalgia.  My all-time favorite of his is "And It Stoned Me", the opening track from his sublime 1970 LP "Moondance". 

Channeling the same coming-of-age nostalgia of "Stand By Me", "The Wonder Years", and "Dandelion Wine", it recalls the adventures of a single day where everything magically aligns.  Quoting from the Wikipedia page, which in turn quotes from Van Morrison's 1993 biography:
I suppose I was about 12 years old. We used to go to a place called Ballystockart to fish. We stopped in the village on the way up to this place and I went to this little stone house, and there was an old man there with dark weather-beaten skin, and we asked him if he had any water. He gave us some water which he said he'd got from the stream. We drank some and everything seemed to stop for me. Time stood still. For five minutes everything was really quiet and I was in this 'other dimension'. That's what the song is about.
Aside from being a great song, what's the personal connection for me?  It makes me recall a weekend during the summer of 1991.  I was 22, not 12, but like Van Morrison's imagery of the rain, the fishing hole, and "great big gallon jar", water was a recurring theme for that weekend.  The mists of time may have caused me to conflate the events of multiple trips, but all of these things happened and I'm pretty sure they all happened in one weekend.

1. And the Rain Came Pouring Down

Half a mile from the county fair

And the rain came pourin' down

Me and Billy standin' there

With a silver half a crown

Hands are full of a fishin' rod

And the tackle on our backs

We just stood there gettin' wet

With our backs against the fence

Oh, the water

Oh, the water

Oh, the water

Hope it don't rain all day

I had graduated and was about to start working at CSC as a contractor for NASA (my time as a civil servant did not begin until that Fall). Drew, Terry, and Fred were all a grade behind me and staying at UVa and JMU for the summer in between their junior and senior years.  I drove from Newport News to Charlottesville in my 1968 Mercury Cougar and picked up Drew, and the two of us drove to Harrisonburg to visit Terry and Fred for the weekend.  While driving the scenic, mountainous route (US 29-US 33) between Charlottesville and Harrisonburg, the Cougar's radiator hose burst and steam was pouring from under the hood.  On back roads and in the days before cell phones, this could have been a disaster, stranding us miles from help.  Instead, right as the steam was pouring out, an exit appeared and Drew and I were able to coast through the exit and straight to a service station, where we were patched up and soon back on our way.  

I had originally planned to stay at Terry's place, but we stopped by Fred's first and his place was so nice that I never made it to Terry's (Fred was one of the few people who at 21 had a place that looked like it belonged to a married 40 year old).  Later that night, thanks to Fred, was the first and only time that I've been thrown out of a bar.  

2. We Looked at the Swim and We Jumped Right In

Then the rain let up and the sun came up

And we were gettin' dry

Almost let a pick-up truck nearly pass us by

So we jumped right in and the driver grinned

And he dropped us up the road

Yeah, we looked at the swim and we jumped right in

Not to mention fishing poles

Oh, the water

Oh, the water

Oh, the water

Let it run all over me

The next day a bunch of us drove out to Switzer Lake and the day began with us jumping into the lake via a rope swing hanging from a tree on the side of a ridge.  Later we were in canoes and paddled around the lake, including seeing the structures you see at 3:06 in this video.  After canoeing, we hiked around the lake some and eventually came across a large boulder, maybe 5' in diameter, partially embedded at the top of a ridge.  Fueled by our collective testosterone, we decided that the boulder needed to be dislodged, freed from centuries of imprisonment on the side of the hill.  It was quite an undertaking given its size and its deep embedding.  We immediately attacked it with our hands and sticks, slowly digging it out.  Since I was the only one of our crew that had taken engineering classes, I introduced them to the idea of levers and fulcrums and then we started making real progress.  After much effort, we had the sweet release of watching the tumbling boulder of death race down the hillside.  The sun was setting, and sore, hungry and thirsty, we began the trek back to the parking lot, satisfied with our pointless triumph over nature.  It had been a perfect day, and there was no way it could be improved upon.

3. Bottles Too, One for Me and You

On the way back home we sang a song

But our throats were getting dry

Then we saw the man from across the road

With the sunshine in his eyes

Well he lived all alone in his own little home

With a great big gallon jar

There were bottles too, one for me and you

And he said Hey! There you are

Oh, the water

Oh, the water

Oh, the water

Get it myself from the mountain stream

But it did get better: as we approached that picnic area next to the parking lot, Fred saw that members of his fraternity were there and having a cookout.  Greetings were exchanged and we simply strolled into an ongoing party, complete with music, food, and beer.  An already perfect day improved, via a level of serendipity that could exist only in a pre-cellphone era.  

So why does this song resonate with me?  On the surface, Van Morrison's images of the pastoral pleasures of a 12 year old would not seem to speak to me at 22 years old. Sure, there's the recurring motif of water (rain, fishing hole, drinking vs. radiators, Switzer Lake, and, well, drinking).  But reflecting on this further, I think there's more.  First, thanks to Daryl Schoolar's recommendation from a year or so earlier, "Moondance" was still a new LP to me in 1991.  Second, the summer of 91 was a turbulent one for me, including my transition from being a college student to having a career.  This was the weekend before I started full-time with CSC, and while Terry, Drew, and Fred still had a year (or more) of college, I knew I was in transition.  This was not the end of my adventures with Terry, Drew, and Fred -- indeed, the hijinks continue to this day -- but it will never be the summer of 91 again. 

So I will do my best to separate the artist (ca. 2020) from the art (ca. 1970 & 1991) and not let Van Morrison's current commercial crassness erase the magic of "Moondance", its bucolic opening song, and those transcendental moments in 1991.

And it stoned me to my soul

Stoned me just like Jelly Roll

And it stoned me

And it stoned me to my soul

Stoned me just like goin' home

And it stoned me

Van Morrison - "And It Stoned Me"


Wednesday, June 3, 2020

Crosby, Stills, Nash & Young - "Ohio" (spotlight)


Where are the protest songs of today?  Why do I need to rehash a song from 1970?  It's a great song, but where are the current voices?  Taylor Swift has spoken out in a tweet, but where is her song?  Crosby, Stills, Nash & Young released "Ohio" in June 1970, about a month after Kent State.

https://en.wikipedia.org/wiki/Kent_State_shootings
Tin soldiers and Nixon coming
We're finally on our own
This summer I hear the drumming
Four dead in Ohio

Gotta get down to it
Soldiers are cutting us down
Should have been done long ago
What if you knew her
And found her dead on the ground
How can you run when you know?

https://www.snopes.com/ap/2020/06/02/tear-gas-threats-for-protesters-before-trump-visits-church/

Find the cost of freedom
Buried in the ground
Mother Earth will swallow you
Lay your body down

https://www.marketwatch.com/story/military-show-of-force-at-lincoln-memorial-draws-outrage-online-2020-06-02


While the President and a sitting US Senator calls for the US military to be deployed against US citizens on US soil: 

James "Mad Dog" Mattis finally speaks out:




How can you run when you know?

CSNY: Ohio, Find the Cost of Freedom



Saturday, February 18, 2017

James Brown - "Funky Drummer" (LP Review)

After completing my previous blog post about an obscure source of hip hop samples, I just learned of the death of Clyde Stubblefield, the original "funky drummer" and the source of what is probably the most popular -- almost to the point of cliche -- hip hop sample. 

"Funky Drummer" is a non-LP single released in 1970 by James Brown.  At 7+ minutes, the song itself was split over the A- and B-sides but it really should be heard as one song.  Then skip to about 5:34 in the track: it might not be the first breakbeat, but it's probably the most sampled.  Even when the breakbeats are from other songs, they pretty much all owe a debt to the Wilhelm scream of hip hop: "Funky Drummer" and Clyde Stubblefield. 

In the immortal words of James Brown, "give the drummer some!"

James Brown - "Funky Drummer" (break at ~5:34)

Final score: 10/10

Sunday, August 9, 2009

Fleetwod Mac - "The Green Manalishi (With the Two Prong Crown)" (the song remains the same)

"Now, when the day goes to sleep and the full moon looks..." If you know the next line, chances are good that you are a Judas Priest fan. If you're a knowledgeable Priest fan, you also know that "The Green Manalishi (With the Two Prong Crown)" is a cover of a 1970 Fleetwood Mac song. If you're more than a casual Fleetwood Mac fan, you know that FM released nine LPs prior to Lindsey Buckingham and Stevie Nicks joining in 1975 and releasing the breakthrough LP "Fleetwood Mac".

A non-LP single, "The Green Manalishi" was the last song written by Fleetwood Mac founder, guitarist and vocalist Peter Green before leaving the band. The Green Manalishi can be a symbol for drugs, monetary greed, evil, or perhaps even Peter Green himself. Green was dealing with drug-induced schizophrenia at the time and the lyrics reflect this: they don't strictly make sense, but they do paint a picture that is menacing, paranoid and erotic.

The original version is nearly a heavy metal song (especially when compared to their Rumours-era sound), so it should not be a complete surprise that Judas Priest covered the song on their 1978 LP "Hell Bent for Leather" (the US title, the UK title was "Killing Machine"). Judas Priest did not become big in the US until after their 1980 LP "British Steel" (corresponding with the NWOBHM), so casual fans might not be familiar with the song. Interestingly enough Judas Priest, at the height of their popularity, did choose "The Green Manalishi" as one of the three songs for their Live Aid set in 1985.

The song has been covered by numerous (but mostly obscure) metal bands. The only one that deserves mention here is the cover by Corrosion of Conformity (COC) on their 1983 debut LP, "An Eye for an Eye". COC became more metal with each successive LP, but their first is strictly hardcore.

Fleetwood Mac: Studio version; Live version (note Christine McVie as one of the keyboard players; she went from session player to official member during this time); live 1970 (with Peter Green), live 1974 (with Bob Welch), live 1975 (with Lindsey Buckingham)

Judas Priest: Studio version; Live Aid version, 1982 live version (where it appears Rob Halford has gone off his meds, but good nonetheless)

COC: Live version (ca. 1983, with vocalist Eric Eycke, approximately 1:35 into the video).

Bonus Link: The B-side to the original FM 7", World in Harmony.

Friday, February 20, 2009

Pink Floyd - "An Hour With Pink Floyd (KQED)" (concert)

I found this gem while researching the Roger Waters review below. I've labeled it as an "LP Review", but that is not quite accurate. Apparently on April 29, 1970, KQED in San Francisco recorded a Pink Floyd show and broadcast it. I don't know much more than that. I'm of the impression that the show was done especially for KQED, but I'm not certain.

I've always enjoyed their 1971 recording (1972 release) "Pink Floyd: Live at Pompeii", and this is certainly similar. While "Pompeii" features several tracks from the LP "Meddle", "KQED" features two from "More", one from "Atom Heart Mother" and one from "Ummagumma". I happened to find this because I was considering reviewing "Cymbaline" as a "forgotten song". The studio version is nice, but the live version is amazing -- a must listen.

I've been unable to find a DVD bootleg of the concert (I would get it just for "Cymbaline"), but there are various portions on the web. YouTube user "FranksValli" has kindly split the concert into nine pieces. The track listing, with YouTube links, for "KQED" is:

0. (Intro)
1. Atom Heart Mother (part 1, part 2)
2. Cymbaline
3. Granchester Meadows
4. Green Is The Colour
5. Careful With That Axe, Eugene
6. Set The Controls For The Heart Of The Sun (part 1, part2)

Tracks 5 & 6 are arranged similar to the "Pompeii" release. Two blogs, "Palace of Exile" and "Clandestine Sound Lab" provide URLs for getting the videos directly. I'm still hoping for someone to make a nice bootleg.

(2009-12-01 edit: the YouTube account hosting the above links is suspended and the videos deleted, but you can still find the entire video at Google Videos. And I did find a bootleg DVD for sale, but the URL is now defunct.)

(2010-06-17 edit: I've been able to find new YT links for all but "Intro" and "Set The Controls For The Heart Of The Sun". The old links have been left intact.)

(2011-11-08 edit: Here is the entire concert in a single YouTube link. We'll see how long this one lasts...)

(2013-02-15 edit: here's another upload of the entire concert)

2013-11-04 edit:  I think all of the above links have been removed, so here's a version on Dailymotion.  If only KQED/PF/whomever focused their energies into releasing an official version instead of just removing the unofficial versions from the web...

Also, I'm removing this from the "LP Review" category and retroactively putting it in the category of "concert". 

And since I labeled this as an "LP review":

Standout tracks: All, but especially "Cymbaline".

Skip 'em tracks: none.

Final rating: 10/10.