States - "Picture Me With You" (forgotten song)

While reminiscing with friends about Norfolk's Boathouse being torn down, I was poking around YouTube and uncovered a song which I had completely forgotten about: "Picture Me With You" by Norfolk's own States. Released in 1981, I recall hearing this pretty frequently on the radio in middle school but I don't think I realized at the time that they were a local band (was this song ever played outside of Hampton Roads?). This was their second and final LP; I have no idea what happened to them after that. Squarely in the late 70s / early 80s new wave mode (check out the shirts in the video!), this song still sounds pretty good. "Picture Me With You" -- live version (@ Rogues in Va Beach), studio version.

Mayer Hawthorne - "A Strange Arrangement" (LP Review)

This is the best Hall and Oates LP in 30 years.

Mayer Hawthorne (hip-hop / blue-eyed soul's version of Rivers Cuomo) released 2009's "A Strange Arrangement" on Stones Throw Records.

Standout songs: "A Strange Arrangement", "Just Ain't Gonna Work Out", "Maybe So, Maybe No", "I Wish It Would Rain", "One Track Mind", "Let Me Know", "I Can't Go For That (No Can Do)"

Skip 'em songs: "Your Easy Lovin' Ain't Pleasin' Nothin'" (I didn't like in 1982 either).

Final Score: 8/10.

2014-03-27 Edit: Just in case there was any doubt, here's Mayer Hawthorne with Daryl Hall on "Live From Daryl's House": "A Strange Arrangement",  "Just Ain't Gonna Work Out", "I Can't Go For That", "Private Eyes", "You Make My Dreams Come True", (full episode)

Deathprod - "Treetop Drive 1-3, Towboat" (LP Review)

Here's another one for Butch @ Squealer Music. I see Butch once or twice a year and we use the time to catch up on music. Our interests overlap in the areas of ambient, doom, drone, stoner -- basically all the sub-genres that Black Sabbath spawned (see my review of "Vol. 4"). One of the artists that Butch turned me on to is Deathprod (aka Helge Sten).

After hearing Deathprod from Butch, I bought the eponymous 4-CD boxset (released in 2004). I wasn't sure at what granularity that I wanted to review the music: 4 LPs in a single review? Instead, I review them separately starting with my favorite LP from the set, 1994's "Treetop Drive 1-3, Towboat" (yes, the LP title is simply the listing of the LP's four tracks).

Reviewing this LP is actually rather hard -- Sten is generally credited on LPs with "Audio Virus", and that's about as good an explanation as you'll find. There is almost no percussion, just swaths of looped, foreboding sounds. Here's a string of words I'd associate with the music in general: dark, powerful, repetitive, nightmarish, mesmerizing, plodding, haunting, homemade, menacing, stalking, Giger-esque. Similar in a sense to Plastikman's "Consumed" in results, but far more organic and, well, viral.

I'll attempt another comparison: on the "Time" episode of Radiolab, they describe "9 Beet Stretch", which is Beethoven's 9th Symphony stretched out to 24 hours in length. "Treetop Drive 1-3, Towboat" could easily be excerpts of MBV's "Loveless" with the same stretch treatment.

Treetop Drive 1 sounds like an interpretation of a series of looped, slow-motion car wrecks. Treetop Drive 2 sounds like warring, maniacal channel buoys. Treetop Drive 3 sounds like a plague of locusts, and features a narration of:

So there's a strange affinity with death. Many school districts today are teaching a death education, where they take first graders, second, and third graders and acquaint them with death: Not in the concept of life after death, but with death itself. And, kids are being taken to mortuaries and are allowed to see, and even touch, dead bodies. There is this fascination with death, to desensitize us to death.

This is the only thing that passes for vocals in the LP, and I have no idea where this is sampled from. But my favorite song is the LP closer "Towboat". It starts off pretty minimalist, then slowly builds an aural description of a conflict, closing with what sounds like (abstracted) machine gun fire in the last 4-5 minutes of the track. This could easily be the dream soundtrack of Willard / Kurtz going up the river.

Standout tracks: Treetop Drive 1, Treetop Drive 2, Treetop Drive 3, Towboat.

Skip 'em tracks: none.

Final Score: 8/10. Not light background listening, but powerful and important.

Blink-182 - "Josie" (forgotten song)

For Danette's birthday... last year it was "Punk Rock Girl" and we might as well continue the punk theme this year too, in part because I think pop-punk band Blink-182 has written the world's best love song -- "Josie". A single from their 1998 LP "Dude Ranch", it received a good deal of airplay when it came out, but it seems to have fallen through the radio genre cracks: not new enough for progressive rock, and certainly not quite classic rock.

The world's best love song? Absolutely, and here's why: Blink-182 has a sharp sense of humor (unlike, say, Green Day), but in this case they've laid bare the unvarnished truths of the male psyche, which are too simple for Cosmo, Sex and the City, et al. to explain:

Yeah my girlfriend takes me home when I'm too drunk to drive
And she doesn't get all jealous when I hang out with the guys
She laughs at my dumb jokes when no one does
She brings me Mexican food from Sombrero just because
Yeah, just because

And my girlfriend likes UL and DHC
And she's so smart and independent
I don't think she needs me
Quite half as much as I know I need her
I wonder why there's not another guy that she'd prefer

And when I feel like giving up like my world is falling down
I show up at three a.m. she's still up watching Vacation
And I see her pretty face it takes me away to a better place
And I know that everything's gonna be fine

Yes, that's pretty much it. From Blink-182's perspective "Josie" is fictional (the name comes from the neighbor's dog), but that's only because Mark Hoppus doesn't know Danette.

"Josie" (unofficial video with lyrics; watch this one)
"Josie" (official video; it's funny but the video's story has absolutely nothing to do with the lyrics)

R.E.M. - "Superman" (the song remains the same)

Less than a week ago, R.E.M. decided to hang it up after 31 years. Drummer Bill Berry had already retired 14 years ago (!), so I suppose they did the right thing in calling it quits before attrition whittled down the three remaining original members.

Here's where I have to confess that although I like R.E.M. well enough, I never loved R.E.M. Sure, I have a handful of their LPs, I enjoy most of their stuff, and I recognize their centrality in defining the 80s college rock sound. And thanks to the late Carol Taylor (FM99), everyone in Hampton Roads heard them before most did (she was playing "Radio Free Europe" in 83/84). I remember Earl Lindford's band (I don't recall their name) playing "Can't Get There From Here" at the 86 or 87 Denbigh Jam (see also: Tone Deaf). In short, unless you're from Athens, GA I probably heard about them before you.

But it was much later in life (mid-90s?) that I was surprised to discover that my favorite song by R.E.M. was actually a cover. "Superman", the second and last single from 1986's LP "Lifes Rich Pageant" (arguably their last truly alternative LP), was actually originally released in 1969 by The Clique, as the b-side to their single "Sugar on Sunday". Furthermore, the lead vocals on the R.E.M. version are from bassist Mike Mills instead of lead singer Michael Stipe. That's right, my favorite R.E.M. song is not written by R.E.M. and has Michael Stipe on just background vocals.

So while I was never the biggest R.E.M. fan, their retirement is too important to ignore. I might eventually review some of their LPs, but for the near-term this will have to do.

R.E.M.: "Superman"; (a YouTube version with bad sound quality, but you have to love the I.R.S. 45rpm single)

The Clique: "Superman"

Bonus Links:
R.E.M.: "White Tornado" (b-side to the 7" single).

The Clique: "Sugar on Sunday" (a-side to their 7" single).

Bruce Springsteen - "The Ghost of Tom Joad" (the song remains the same)

A Labor Day special...

Here's the condensed version of the conversation I've had dozens of times with some of my European friends: Bruce Springsteen is an activist / protest singer in the tradition of Woody Guthrie, but his songs are written with such a distinctly American, individualistic perspective that the message of struggle, hope & despair, and identity is often obscured, if not completely misunderstood.

In contrast to some of his more indirect songs, "The Ghost of Tom Joad", the title track from the 1995 LP of the same name, is one of Bruce's most overtly political songs. The blistering message is tamed by Bruce's muted, acoustic delivery; it was Rage Against the Machine two years later that realized the inherent, well, "rage" of the narrator against forces so complex and overwhelming that individuals must succumb. In Bruce's songs, the hero can often overcome through sheer force of will (e.g., "Badlands", "The Promised Land", "Thunder Road", "Born to Run") -- or at least believes he can. In "The Ghost of Tom Joad", the hero is bleakly aware of his futile state:

Men walkin' 'long the railroad tracks
Goin' someplace there's no goin' back
Highway patrol choppers comin' up over the ridge
Hot soup on a campfire under the bridge
Shelter line stretchin' round the corner
Welcome to the new world order
Families sleepin' in their cars in the southwest
No home no job no peace no rest

The highway is alive tonight
But nobody's kiddin' nobody about where it goes
I'm sittin' down here in the campfire light
Searchin' for the ghost of Tom Joad

Tom Joad is of course the main character and anti-hero in Steinbeck's 1940 novel "The Grapes of Wrath", which tells the fictionalized story of the Joad family's travels from Oklahoma during the dust bowl to California in search of a land, jobs, and a better life. Instead, they find California is controlled by corporate farmers, in collusion with each other as well as local law enforcement to ensure an ample supply of cheap, unorganized labor. In short, Wisconsin Governor Scott Walker's dream.

Now Tom said "Mom, wherever there's a cop beatin' a guy
Wherever a hungry newborn baby cries
Where there's a fight 'gainst the blood and hatred in the air
Look for me Mom I'll be there
Wherever there's somebody fightin' for a place to stand
Or decent job or a helpin' hand
Wherever somebody's strugglin' to be free
Look in their eyes Mom you'll see me."

Bruce Springsteen: studio version, live in the studio 2009

Bruce Springsteen & Tom Morello: live 2009

Rage Against the Machine: 1997 single version, 2000 LP version, live 1999 version, fan video

"The Grapes of Wrath": New York Times Review, ReThink Review

Lissy Trullie - "Self-Taught Learner" (LP Review)

I've listened to this EP enough times to render an opinion: despite how much we (the collective we) want Lissy Trullie to be the next Lissy Phair / Lissy Ramone / Lissy Hynde, she's not quite there. She's got the style, but not (yet) the substance. Released in 2009, her 6 track EP "Self-Taught Learner" generated a lot of buzz (e.g., reviews in altsounds, Rolling Stone), but ultimately this emperor has clothes, but not fully matured song-writing chops. The neo-punk attitude's there and the production is clean enough not to inhibit mainstream appeal, but I guess there is a reason why the record labels have been riding this first release for the last two years.

The version I have was actually re-released later in 2009 on Downtown Records and features slightly different cover art (and no, that's not Lissy on the cover) and an additional 4 songs: 2 new songs, an unreleased demo, and a phoned in version of Biz Markie's "Just a Friend" (with Adam Green). If you have the 6 track version, you're fine -- the 4 new tracks don't add much. None of the 10 songs are really bad, but only a couple really stand out. Here's hoping her song writing improves, she hooks up with a better partner, or does more inspired covers like her version of Hot Chip's "Ready for the Floor".

Standout songs: "Boy Boy", "She Said" (live version), "Ready for the Floor"

Skip 'em songs: none.

Final Score: 5/10. "Lissy Ramone can't take your call now, please leave a message."